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Top 50 Songs of 2012 -
* - Newly Added Tracks
(Source: Spotify)
Top 50 Songs of 2012: #4, Tindersticks - Chocolate
His eyes were still beautiful, deep brown, his lips still chocolatey and orangey.
Tindersticks’ “The Something Rain” was one of the first records of 2012 I reviewed and “Chocolate” being one of the first opening tracks. It’s a nine-minute spoken-word/jazz essay that set the coolest first impression for experimental music this year. With its lush instrumentation and immersive prose, “Chocolate” delivers as the album’s stand-out track by a long shot and even offers the best lyrical plot twist in spoken word this year. I couldn’t stress it enough, but the nine minutes are worth it.
(Source: Spotify)
Lambchop - Mr. M
Good tension in music comes from a calculated set-up. St. Vincent’s 2011 LP “Strange Mercy” was a bipolar masterpiece; it understood how to take ugly and beautiful and sync it up for dramatic results. Through all the madness, it found something very poetic. Lambchop’s “Mr. M” falls right through the potholes in the creating process of musical tension. The album offers mouth-watering, angelic productions but pairs it up with startlingly out of place vocals by Kurt Wagner. The opening track “If Not I’ll Die,” in itself, begins masterfully with a picaresque string and mild-mannered drum accompaniment and then you hear a 54-year-old alt-country singer oddly deliver the lyric “Don’t know what the fuck they talk about.” Listening to this album brings the same uncomfortable feeling of walking in shoes several sizes smaller than yours. Despite its passive-aggressive deliberations, “Mr. M” results as an unorthodox experience that baffles the mind trying to find the beauty in this confusion. (5/10)
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Tindersticks - The Something Rain
Progressive, minimalist jazz compositions are a galore on Tindersticks’ “The Something Rain,” a strong body of unique qualities. Opening with one of the greatest spoken-word/minimalist jazz tracks spanning nine minutes, “Chocolate,” the album takes a dive into the next eight tracks with an oft-kilter mix of maudlin and a barrage of instruments to follow suit. It’s not the finest piece of music of its kind, aside from the opener, but Tindersticks certainly deserve acclaim for their sheer level of musicianship; one of complicated proportions. (6/10)
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Twitter: @itsmydad